Matt Savage: Father's Day


Father's Day


Matt Savage (piano)


Hot Ticket: Live in Boston (Palmetto 00080)

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Matt Savage (piano),

Dave Robaire (bass), Joe Saylor (drums)


Composed by Matt Savage


Recorded: live at Tufts University, Medford/Somerville, Massachusetts, September 29-30, 2007


Rating: 84/100 (learn more)

Matt Savage

The problem with being a prodigy is the same as everything else about childhood: you're bound to outgrow it. And then what? Pianist Matt Savage is the latest in a long line of jazz prodigies that includes Mary Lou Williams, Buddy Rich, Herbie Hancock, Wynton Marsalis, Harry Connick Jr., Cyrus Chestnut and Eldar, although Savage's acclaim has surpassed theirs at a similar age. What distinguishes Savage even among prodigies is his disability. One of fewer than 100 so-called "prodigious savants" in the world, Matt has, thanks to various therapeutic regimens and his and his family's fortitude, heroically overcome Pervasive Developmental Disorder, a high-functioning form of autism. At age 3, Matt couldn't stand the slightest noise, much less music. By age 7, he was studying at the New England Conservatory of Music, soon to be launched into such media celebrity as only People magazine and NBC's Today show can confer. (As violinist Edith Eisler has perceptively written, "Even a prodigiously talented child becomes a 'prodigy' only by being put on public display.")

By early 2008, however, with release of the 15-year-old's eighth CD, Hot Ticket: Live in Boston, a note of caution was definitely in order, for not every prodigy who dazzles as a child finds a place as an adult. There've been some spectacular burnouts, such as pianist Ervin Nyíregyházi, whom Schoenberg called "the new Liszt" but who ultimately wound up listing badly on L.A.'s Skid Row. Moreover, Matt Savage is fast approaching an age where people will stop marveling at such precocity in a developmentally disabled boy, and start comparing this engaging young man to his peers, such as Eldar. That's where it gets thorny.

As the catchy, good-natured shuffle blues "Father's Day"—a representative track from Hot Ticket—makes clear, gifted as Matt Savage is, his music comes nowhere near the hype so lavishly bestowed upon it. With occasionally erratic execution and attendant lapses in rhythmic concentration, Matt's performance is very much what you'd expect from a poised, talented 15-year-old, but by no means justifies all the "genius" accolades swirling around him with the speed of a well-oiled PR machine.

Only time will tell whether Matt Savage can withstand the perils of prodigy and attain artistic maturity. For now, we can but celebrate his remarkable spirit, and wish him all the best.

Reviewer: Alan Kurtz

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