George Shearing: George in Brazil


George in Brazil


George Shearing (piano)


Jazz On A Summer's Day (soundtrack) (Great Movie Themes 60039)

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George Shearing (piano), Emil Richards (vibes), 'Toots' Thielemans (guitar), Armando Peraza (congas),

unidentified bassist and drummer


Composed by George Shearing


Recorded: live at Newport Jazz Festival, RI, July 6, 1958


Rating: 82/100 (learn more)

The producers of this CD faced a Hobson's choice. In Jazz on a Summer's Day (1960), Bert Stern's documentary of the 1958 Newport Jazz Festival, the sequence "George in Brazil" runs slightly more than two minutes. Even at that, it's only a fragment of the original performance. To make matters worse, the soundtrack's first 40 seconds contain voiceovers that for technical reasons could not be erased from atop the underlying music. The dilemma, then, was whether to retain the voiceovers, to which musical purists would surely object, or trim the track to a scanty 1˝ minutes. The producers elected to trim.

Bad decision. Of course, the voiceovers are still in the movie. But missing from the CD is the delightful Donna Larsen, roving radio reporter. "What do they say," Donna asks her unseen listeners rhetorically, "the joint is really jumping? I think that's kind of passé by now." If not, it became so at that moment. She goes on to interview NJF co-director Elaine Lorillard, then married to a descendant of Pierre Lorillard, founder of the Lorillard Tobacco Company. Only a year earlier, Lorillard had introduced its best-selling Newport brand of menthol cigarettes. "I brought along a heavy leather coat," gushes chatterbox Donna, "and I don't think I'm going to need it at all." Mrs. Lorillard, her upper-crust baritone hinting that she may have already smoked a few too many packs of her family's products, readily concurs. "No, I don't think so, either." Naturally she pronounces it eye-ther. "I have a sweater that I've tucked away in my bag."

Believe it or not, this banal banter is actually more entertaining than "George in Brazil," which so belabors a simple vamp that you wish Elaine Lorillard had tucked away some extra chord changes in her bag, right next to that sweater she didn't need.

Reviewer: Alan Kurtz

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