Gerry Mulligan with Marian McPartland: C Jam Blues
C Jam Blues
Marian McPartland Trio
Newport Jazz Festival 1958: Mulligan in the Main, Vol. 2 (Phonstatic PHONT NCD 8814)
Composed by Barney Bigard & Duke Ellington.
Recorded: live at the Newport Jazz Festival, Newport, RI, July 3, 1958
Rating: 91/100 (learn more)
At this stage of his career, Gerry Mulligan was best known for leading a quartet without a piano. Yet here he is at the legendary 1958 Newport Jazz Festival, sitting in with a trio led by the future hostess of NPR's long-running Piano Jazz. As part of a day-long Ellington tribute, Mulligan and Marian McPartland jam on "C Jam Blues," a jam session staple since jamming originated, which was shortly after the note C was discovered. (It had been left unattended in a cave next to the Dead Sea Scrolls by a wandering harpist who, having tired of C, moved on to what she hoped would be the greener pastures of D. Little did she suspect what heathen dangers lurked therein!)
Unlike some bandleaders, who prefer the comfort zone of their own steady group, Mulligan relished playing with other musicians, and obviously delights in the present company. This happy-go-lucky 10-minute track also affords plenty of solo space for McPartland and bass giant Milt Hinton. (Drummer Ed Shaughnessy contents himself with swinging his butt off and occasionally rattling sleigh bells in quirky punctuation. Can you imagine the dedication required to schlep sleigh bells from New York City to Rhode Island in mid-summer?) If you're looking for an exemplar of the distinctively mid-'50s style that encompassed both traditional and modernist strains, go directly to M&M's "C Jam Blues." Melts in your ears, not in your hands.
Reviewer: Alan Kurtz