Charles McPherson: Nostalgia In Times Square

Track

Nostalgia In Times Square

Artist

Charles McPherson (alto sax)

CD

First Flight Out (Arabesque AJ 0113)

Buy Track

Musicians:

Charles McPherson (alto sax), Tom Harrell (trumpet),

Michael Weiss (piano), Peter Washington (bass), Victor Lewis (drums)

.

Composed by Charles Mingus

.

Recorded: New York, January 25-26, 1994

Albumcovercharlesmcpherson-firstflightout

Rating: 96/100 (learn more)

Charles Mingus wrote "Nostalgia in Times Square" for Shadows, John Cassavetes's 1960 improvisational film about race. McPherson knew the piece well from his dozen or so years performing with Mingus, and, more than 20 years after leaving the bassist's group in 1972, he recorded it as a leader. By the '90's, McPherson's playing had taken on even greater authority, confidence and inventiveness, his tone fuller and more robust, his mastery of the bebop-based idiom unsurpassed by any other saxophonist. Yet even with his significant contribution to the score of Clint Eastwood's 1988 film Bird!, McPherson was still not receiving the recognition he deserved.

Be that as it may, McPherson's 1994 "Nostalgia in Times Square" is a wonderful example of his refined playing at its best, with the added bonus of Tom Harrell's bracing trumpet work. Bassist Washington plays the blues-derived theme first, as Mingus would have, before alto and trumpet repeat it. Weiss solos with a touch of the swagger that Mingus expected from his pianists, with Washington's resounding Mingus-like support. The bassist takes the next expressive solo, played with a heavy yet floating timbre. McPherson succeeds him, and the altoist's honey-coated tone captures your attention immediately, before you become further entranced by his clearly articulated flurries, flawlessly executed extended lines, and ardently delivered riffs, all naturally flowing and creatively nuanced. Harrell's big brassy sound contrasts nicely with McPherson's, the trumpeter's assertive phrases and ricocheting runs continuously fresh and exciting. Washington concludes the track alone, replaying the head in a final salute to the composer.

Reviewer: Scott Albin

Tags: · · ·


Comments are closed.