Charlie Parker: Funky Blues
Charlie Parker (alto sax)
Jam Session (Verve 833564)
Flip Phillips (tenor sax), J.C. Heard (drums).
Composed by Johnny Hodges.
Recorded: Hollywood, CA, July 1952
Rating: 96/100 (learn more)
The live jam sessions that Norman Granz produced were usually hit-or-miss affairs. Raucous audiences could encourage some musicians to histrionics, or a lengthy series of solos on an overplayed standard could start to drag, or the rhythm section could be out of sync with the soloist. Granz organized this studio jam session to simulate the format of a Jazz at the Philharmonic concert, with the added benefit, of course, of better sound quality and no distracting crowd noise, and the result was sublime jazz.
"Funky Blues" is one of the more enjoyable tracks of this nature ever recorded by Granz, if only for the fact that acclaimed altoists Hodges, Parker and Carter solo consecutively, and that everyone plays convincingly and infectiously in the blues idiom. Hodges is both biting and tenderly purring. Bird displays an earthy sophistication, with playing remindful of his classic "Parker's Mood." Carter, who follows, sounds astonishingly like Parker, and nearly as modern. Peterson offers rumbling chords and tinkling trills, clearly in his element here. Kessel's steely tone lends a vital authenticity to his bluesy lines. Shavers's extroverted solo, with its repeated upper-register cries, owes a debt to Roy Eldridge. Webster wails with raw-edged intensity. Peterson returns for a bubbly chorus before the ensemble goes back to the head's funky riff, with Hodges getting in the last salient lick of this nearly 14-minute master class in the blues.
Reviewer: Scott Albin
Other reviews for this track:
- Charlie Parker: Funky Blues by Steve Coleman (100/100)