Carmen McRae: Baltimore Oriole


Baltimore Oriole


Carmen McRae (vocals)


Birds Of A Feather (Decca 314 589 515)

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Carmen McRae (vocals), Irving 'Marky' Markowitz (trumpet), Al Cohn (tenor sax), Ben Webster (tenor sax), Don Abney (piano), Barry Galbraith (guitar), Aaron Bell (bass), Don Lamond (drums).

Composed by Hoagy Carmichael & Paul Francis Webster. Arranged by Ralph Burns


Recorded: New York, August 8, 1958


Rating: 97/100 (learn more)

I think that Carmen McRae was born to sing "Baltimore Oriole". For one thing, she was one of the few singers that could make sense of the song. With its myriad obscure references (no, the Tangipahoa river does not run through Baltimore; it's runs through Mississippi, where she is bound for) and oddly shifting narrative focus, the tune flusters vocalists by the score. But because McRae's style combines cynicism and tenderness, and she could change from one to the other at an instant, she creates a definitive reading of the song simply by embracing all of its idiosyncrasies. McRae word-paints (drrrrragggin' her feathers around in the snow), depicts loneliness (leaving her mate, she flew straight to the Tangipahoa) then immediately moves to disdain (where a two-timin' blackbird met the divine Miss O. I'd like to ruffle his plumage). Throughout it all, Ralph Burn's misterioso arrangement provides the perfect atmosphere, and Ben Webster's tenor solo takes on the role of a frustrated and pleading lover, and his last notes sound like a bird trying to shake the water off its back. Easily overlooked in the structure of the arrangement is the work of the under-rated pianist Don Abney, who provides tasty obbligatos in both vocal choruses.

Reviewer: Thomas Cunniffe

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