Fred Hersch: The Nearness Of You


The Nearness Of You


Fred Hersch (piano)


Let Yourself Go: Fred Hersch At Jordan Hall (Nonesuch 79558)

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Fred Hersch (piano).

Composed by Hoagy Carmichael & Ned Washington


Recorded: Jordan Hall, Boston, October 13, 1998


Rating: 100/100 (learn more)

Ned Washington's lyric to the Hoagy Carmichael song "The Nearness Of You" has always been a special favorite of mine. The thought of a person whose mere presence can be an inspiration speaks to the romantic artist in me. I suspect that Fred Hersch loves these words as much as I do. For even in his solo piano version of this song, the lyric's message comes through.

Hersch opens with an original introduction (not the original verse) and then he moves into the song with great tenderness, using a spare arpeggiated style in his left hand. While the left hand ideas grow in intensity as Hersch becomes more rhapsodic, they are never overwhelming, but are simply there to support the melody in the right hand. Hersch stays in a free rubato throughout the performance, but there seems to some underlying tempo as Hersch's ideas seem to ebb and flow in a rhythmic pattern. Early in his improvisation, he finds a wonderful little idea that he sequences through a number of keys before moving to another thought, which he also develops. He returns to the tune at the bridge and he emphasizes the end of that eight-bar section with held notes at either end of the piano followed by a dramatic pause, which reverts the mood back to that of the beginning.

So, how does all of this relate to the lyric? It's not easy to explain, but I get a tangible feeling that the passion found in this recording has extra-musical roots. The romantic intensity of the lyric is transformed into a spiritual feeling that breathes through every second of this music. Creative musicians live for moments like this, where all of the elements come together and the music is elevated to a higher level. Inspiration and complete mental focus are a big part of the equation, and it's nearly impossible to reach those heights by just going through the motions. Whatever Hersch's inspiration was, he created a very special musical moment on that October night at Jordan Hall. We are fortunate enough to share it.

Reviewer: Thomas Cunniffe

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