Junko Onishi: Blue Skies
Junko Onishi (piano)
Live at the Village Vanguard, Vol. 1 (Blue Note 31886)
Junko Onishi (piano),
Reginald Veal (bass), Herlin Riley (drums).
Composed by Irving Berlin.
Recorded: live at the Village Vanguard, New York, May 6-8, 1994
Rating: 94/100 (learn more)
Japan's Junko Onishi was one of the most promising jazz pianists to emerge in the '90s, her series of five Blue Note releases, plus one led by Jackie McLean, showcasing her already formidable pianistics, as well as hinting at her potential as a composer and arranger. Then she virtually disappeared, and apparently hasn't recorded in the new millennium.
Onishi's two Village Vanguard CDs were both recorded on the same three nights in May 1994, with Wynton Marsalis's rhythm team of Reginald Veal and Herlin Riley offering impeccable support. These are absorbing live sessions, whether the trio is interpreting Ornette Coleman, Mingus, Monk, or standards like "Blue Skies." On the Irving Berlin tune, Onishi clearly reveals her refined precision, relentless drive, firmly swinging pulse, and ability to expand on a well-known melody through the use of fresh vamps and other creative elaborations. Onishi begins with a pianissimo tolling intro that gradually evolves into the theme. One is struck by her thoughtful clarity of vision and classically trained and nuanced touch, both remindful of John Lewis, and when she goes into overdrive you are swept along as she goes from one inventive peak to another. She alters her rhythmic attack frequently, and wisps of Horace Silver and Oscar Peterson pass by, the latter especially in her very effective alterations of the dynamic level. Not a note wasted here, nor a note not enjoyed. We await her return.
Reviewer: Scott Albin