Dexter Gordon: Kong Neptune


Kong Neptune


Dexter Gordon (tenor sax)


One Flight Up (Blue Note CDP 7 84176-2)

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Dexter Gordon (tenor sax), Kenny Drew (piano), Niels-Henning Ørsted Pedersen (bass), Art Taylor (drums).

Composed by Dexter Gordon


Recorded: Barclay Studios, Paris, France, June 2, 1964


Rating: 95/100 (learn more)

Recorded in Paris in 1964 and featuring two of Gordon’s most familiar European sidemen (pianist Kenny Drew and bassist Niels-Henning Orsted Pedersen), One Flight Up reveals one of the more intriguing relationships in the history of jazz influence—Dexter Gordon and John Coltrane. Dexter Gordon’s line construction and big, open sound was a major early influence on Coltrane. And while Trane initially took a little while to develop his craft, we all know that once he did, he altered the course of how just about everyone—Gordon included—approached their instrument. At the height of Coltrane’s creative powers in 1964, Gordon, in turn, released One Flight Up, and while it’s certainly not free or avant-garde, it features a kicked-in-the-rear Gordon eager to stretch out more than ever before.

Whether listening to the 18+ minute “Tanya,” the 11+ minute “Coppin’ the Haven,” or the 11+ minute “Kong Neptune,” one gets a glimpse of a Gordon who is relying a bit more on energy, texture, and mood than on careful construction of bop lines. While “Tanya” may be the most adventurous and Trane-like (although it proves that not even Art Taylor could pull off a legit Elvin Jones imitation), “Kong Neptune” comes closest to achieving a fully cohesive atmosphere. Note how Gordon utilizes the full range of his horn for certain lines and then alternately focuses on repetitive, single-note lines to provide a more-tension-than-release feel. A rigorous, self-aware performance featuring Gordon at his most creative.

Reviewer: Eric Novod

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