Jessica Williams: Solitude





Higher Standards (Candid 79736)

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Jessica Williams (piano),

Dave Captein (bass), Mel Brown (drums)


Composed by Duke Ellington and Eddie DeLange


Recorded: Portland, OR, Nov. 19-20, 1996


Rating: 96/100 (learn more)

"Solitude," which Ellington wrote in just 20 minutes under deadline pressure, was a key component of Duke's playlist from 1934 up to his death in 1974, when Ella Fitzgerald sang it movingly at his funeral. The tune has, of course, lived on to this day, but in the wrong hands can sound overly sentimental or wooden. Williams' version, on the other hand, seems at times to open up the standard to new possibilities, while also remaining refreshingly in the tradition. "Higher Standards" indeed, as Williams' first all-standards CD is entitled.

Williams begins unaccompanied and rubato, with headlong runs and filigreed arpeggios. Upon introducing the melody, she heartily embellishes it, going into stride mode for good measure. When Captein and Brown make their first entry, Williams reenters the theme with a quickly passing allusion to "Four" by Miles Davis, before briefly adopting Ellington's keyboard style, only to surge off into an up-tempo solo that we can imagine Duke would have "loved madly." The pianist's two-handed swing-fest contains blues-tinged angularity, technically impressive parallel lines drawn from her early classical training, her always welcome block chords, and intriguing left-hand adornments. Williams' exchanges with Brown delve into stride and Monkish inflections, and even include a quote from "Exactly Like You." The out-chorus is a take-no-prisoners romp that unexpectedly evokes Count Basie in its very last notes.

Reviewer: Scott Albin

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