Dutch Jazz Orchestra: Easy Living Medley (Easy Living/Everything Happens to Me/Moon Dreams)

Track

Easy Living Medley (Easy Living/Everything Happens to Me/Moon Dreams)

Group

Dutch Jazz Orchestra

CD

Moon Dreams: Rediscovered Music of Gil Evans & Gerry Mulligan (Challenge, CHL 73275)

Buy Track

Musicians:

Jeanine Abbas (flute); Marco Kegel (clarinet, saxophone, alto saxophone); Jan Oosthof (trumpet); Eric Ineke (drums); Martijn Van Iterson (guitar); Simon Rigter (flute, tenor saxophone); Albert Beltman (clarinet, alto saxophone); Ab Schaap (clarinet, tenor saxophone); John Ruocco (clarinet); Nils Van Haften (bass clarinet, baritone saxophone); Jan Hollander, Ray Bruinsma, Mike Booth, Ruud Breuls, Erik Veldkamp (trumpet); Morris Kliphuis, Roel Koster, Rene Pagen (French horn); Martijn Sohier, Ilja Reijngoud (trombone); Martien De Kam (tuba); Rob Van Bavel (piano); Jan Voogd (bass instrument)

.

Composed by Gil Evans. Arranged by Gil Evans

.

Recorded: 2009

Dutch_jazz_orchestra_moon_dreams

Rating: 100/100 (learn more)

For my last choice I'm going to offer something that 99% of you will not have heard, because it seems not to have been recorded until recently. To have a new work by Gil emerge out of the ether is to be bestowed with a gift more valuable than gold. Here is one such magical gift. In the liner notes of this album, they say he was experimenting with a new band that he'd only rehearsed. The instrumentation of this work consists of 3 flutes, 5 reeds, 2 French horns, 3 trumpets, 2 trombones, tuba, guitar, piano, bass and drums. It seems far more likely that this is actually something from the Claude Thornhill band collection that was never recorded, or for which the tapes were lost. This piece has the precise instrumentation of “The Troubadour” and several other of Gil's arrangements that Thornhill recorded in the same period (1946-1947). That offers a big clue. Never mind, though—the point is, it's gorgeous. Of course, we all know “Moon Dreams” from Birth of the Cool, but here it is in even fuller orchestration. And clearly, then, the nonet version was a paring-down of this much more orchestral version written probably around three years before Birth of the Cool. This medley exhibits every characteristic that I've talked of until now: the exquisite inner melodies, the airy tuba parts, the delicate details that dovetail into each other moving from color to color in the orchestra. Just sit back, shut your eyes, and bathe in the sheer gorgeousness of this long-lost Gil Evans treasure.

Reviewer: Maria Schneider

Tags:


Comments are closed.