Joe Henderson (with Lee Morgan): Caribbean Fire Dance


Caribbean Fire Dance


Joe Henderson (tenor sax)


Mode for Joe (Blue Note 84227)

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Joe Henderson (tenor sax), Lee Morgan (trumpet), Curtis Fuller (trombone), Bobby Hutcherson (vibes),

Cedar Walton (piano), Ron Carter (bass), Joe Chambers (drums)


Composed by Cedar Walton


Recorded: Englewood Cliffs, NJ, January 27, 1966


Rating: 93/100 (learn more)

Joe Henderson added his hard-nosed tenor stylings to The Sidewinder (1963) and The Rumproller (1965) so Morgan graciously returned the favor in 1966 by joining the tenorman on his fantastic Mode for Joe. Surrounded by a who’s who of Blue Note superstars, Morgan stands out with a performance that characterizes his mid-1960s playing: daring and bold but imperfect, yet unrelenting in energy and determination.

Composer Cedar Walton’s Latin-tinged ostinato pattern and Hutcherson’s sporadic chime-like octaves give “Caribbean Fire Dance” an anxious, unresolved feeling which the soloists exploit in unique ways, creating a haunting and increasingly tense listening experience. Though Morgan sounds fatigued from the tune’s downbeat, he summons up his chops and courageously puts it all on the line in his solo. He immediately shoots into his upper register, his crackling, spreading tone sounds on the brink of bursting into flames. Exposed, audacious, and brutally raw, the first 16-bars of his improvisation are some of the most thrilling and suspenseful Morgan ever waxed. He returns from the stratosphere on the bridge, moving self-consciously up and down a whole-tone scale. Morgan toys with rhythmic ideas that recall the staccato seesawing nature of the melody during his second chorus, before a more convincing use of the whole-tone scale on his second bridge. Morgan combines all of the distinct elements of his style in this solo—his daredevil power and range, complex rhythmic and harmonic eccentricities, built on top of a bedrock of blues.

Reviewer: Matt Leskovic

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