Quintette du Hot Club de France: Minor Swing

Track

Minor Swing

Group

Quintette du Hot Club de France

CD

The Best of Django Reinhardt (Blue Note CDP 7243 8 37138 2 0)

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Musicians:

Django Reinhardt (guitar), St├ęphane Grappelli (violin), Joseph Reinhardt (guitar), Eugene Vees (guitar), Louis Vola (bass).

Composed by Django Reinhardt & Stephane Grappelli

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Recorded: Paris, November 25, 1937

Albumcoverbestofdjangoreinhardt

Rating: 98/100 (learn more)

"Minor Swing" may be the most popular record Django Reinhardt ever made. Tom Lord's online discography lists it as being reissued on at least 30 albums and it has also appeared on several film soundtracks. And, after all, who can resist its catchy melody and pervasive minor harmonies? Certainly not I, and it has been one of my favorite Django tracks since I first heard it nearly 25 years ago.

The calm introduction (which is actually all there is of a melody) offers little clues to what follows, but it features a rare instance of a string bass solo on a QHCF record. But when the second bass break suddenly becomes very aggressive, Django kicks off the main tune, the group lays into the minor chord sequence, and we're in for a wild ride! Django's fiery solo stays in single-string for the first two choruses, achieving its passion through dramatic bent notes. Then in the third chorus, he combines a block chord, a roll and a glissando up and down the guitar, and his instrument roars like a lion. Grappelli picks up on the growing intensity and his violin solo builds and builds with each successive chorus. Eugene Vees and Joseph Reinhardt, who hardly got notice in the QHCF, are excellent on this recording--I still marvel at how they could create such a strong backbeat without a drummer behind them!

And then there's the talking. Django had quite a reputation for shouting verbal encouragements during recording sessions. According to Benny Carter, it was Django that shouted "Go on, go on" to Coleman Hawkins on their 1937 recording of "Crazy Rhythm". (The fact that Hawkins did go on--unheard of in those days--created one of the greatest recordings of the 78 rpm era). On "Minor Swing", we can hear Django egging on Stephane as the performance builds. It's only at the very end of the record, when the entire group says "Oh, Yeah" that we realize the QHCF has played a little joke on us and has brilliantly set the whole thing up during the course of the record.

Reviewer: Thomas Cunniffe

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