Stan Getz (with Bob Brookmeyer): Rustic Hop
Stan Getz and the Cool Sounds (Verve MGV 8200)
Composed by Bob Brookmeyer.
Recorded: New York, May 16, 1953
Rating: 94/100 (learn more)
In the mid-1980s, Stan Getz helped raise money for his own salary as artist-in-residence at Stanford University by giving one concert per quarter. He brought in a host of guest artists for these events, including Bob Brookmeyer, who showed up on campus to meet students, rehearse the campus jazz band (I still recall him exhorting the horns to play with more energy—repeating the advice "make BIG mistakes" as though it were some strange mantra from a new religion), and then pair up with Getz for a concert in Dinkelspiel Auditorium.
For their gig, Stan and Bob played a number of charts they had recorded more than thirty years earlier. After the performance, I expressed my surprise to Brookmeyer that Stan played all the compositions, some of them quite intricate, without looking at any music. After all, Getz had recorded these charts before I was born, and the Stanford concert was a one-time event—yet Getz dug into these pieces as though they were on his set list every night. Brookmeyer shrugged his shoulders and commented "Well, that's Stan Getz."
The Brookmeyer partnership was just one of many musical relationships for Getz during the mid-1950s. The Cool Sounds album finds him in five different line-ups. But the interplay with the valve trombonist is especially effective. The chemistry between Getz and Brookmeyer is in the same league as those other ultra-cool period pairings: Mulligan & Baker, Marsh & Konitz, Sims & Cohn, heck maybe even Bogart and Bacall. Hear Getz riffing behind Brookmeyer's solo, then starting his own improvisation with a variant of the same riff before launching into a slick, thematically-cohesive workout over the changes. Getz was a master at these medium-up tempos, and knew better than any tenorist of his generation how to be hot and sweet at the same time. I can't find much rusticity in this "Rustic Hop"—which sounds to me more like a joyride in city traffic—but it does keep hopping for the duration. A stirring example of a band that could have been far more influential if it had stayed together longer.
Reviewer: Ted Gioia