Louis Armstrong: Hotter Than That
Hotter Than That
Louis Armstrong and his Hot Five
The Hot Fives And Hot Sevens, Volume III (Columbia 44422)
Composed by Lil Hardin.
Recorded: Chicago, IL, December 13, 1927
Rating: 100/100 (learn more)
The fiery “Hotter Than That” is one of Louis Armstrong’s masterpieces. Played at a flying tempo, Armstrong soars while most of his band-mates can barely get off the ground. The opening trumpet solo is a brilliant example of developing a melodic idea, all with a dynamic sound and sophisticated swing. Lonnie Johnson, guesting with the Hot Five, was clearly a student of Armstrong’s innovations, and he accompanies Armstrong’s magnificent scat solo. Armstrong’s advanced rhythmic sense is in full display as he sings behind the beat and then intensifies the rhythm with a brilliant series of dotted quarter notes which get further and further off the beat. (Later, Armstrong ties his solo work together by alluding to those dotted quarters in his final trumpet solo!) Also of note are Armstrong’s scat syllables: he uses “rip” several times, each time with an ascending glissando (the term is now commonly used for that melodic device), and he even improvises the term “bebop” which became the name of the jazz movement in the 1940s. Louis Armstrong may not have invented scat singing, but he remains one of its greatest exponents.
Reviewer: Thomas Cunniffe