Slim Gaillard: Babalu (orooney)
Slim Gaillard (vocals, guitar)
Laughing In Rhythm (Verve 314 521 651)
Slim Gaillard (vocals, guitar),
Maceo Williams (piano), Clyde Lombardi (bass), Charlie Smith (drums).
Composed by Margarita Lecuona and Theo Hansen.
Recorded: New York, May 25, 1951
Rating: 95/100 (learn more)
Now we take a turn towards the surreal, guided by the unique multi-instrumentalist Slim Gaillard. Even with prior knowledge of Gaillard’s mastery of double-talk and his invented language, “Vout”, little can prepare the listener for this bizarre and very funny transformation of the Cuban classic “Babalu.” Although the song was forever associated with Desi Arnaz, Gaillard’s version starts in imitation of the Xavier Cugat recording. However, Gaillard’s imagination soon takes over and he starts inserting “orooney” and other vout phrases in with the Spanish lyrics. By the time he quotes “Jingle Bells” (!), we are in a completely different universe where all kinds of languages—real and invented—come at us from all angles.
In the 1998 notes for the Smithsonian collection,The Jazz Singers, Robert G. O’Malley wrote that Gaillard had transformed the moments of parody in the recordings of Fats Waller and Al Hibbler into an aesthetic of parody. While such an analysis seems rather high-brow, there is little doubt that Gaillard’s comedic concepts were unparalleled in jazz—or any other music, for that matter. At any rate, such theories are much less damaging than those offered during his career, including the idea that Gaillard’s vout promoted drug use. That accusation caused Gaillard to lose a lot of work and led to long nomadic periods in his life.
Reviewer: Thomas Cunniffe