Cannonball Adderley: Limehouse Blues


Limehouse Blues


Cannonball Adderley (alto sax)


Cannonball Adderley Quintet in Chicago (Verve 314 559 770)

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Cannonball Adderley (alto sax), John Coltrane (tenor sax), Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums).

Composed by Philip Braham & Douglas Furber


Recorded: Chicago, February 3, 1959


Rating: 97/100 (learn more)

A friend of mine summed up The Cannonball Adderley Quintet In Chicago as "the Miles Davis band without Miles". True enough, but it's more than Miles' physical absence that makes this album special: it is a Cannonball Adderley album from the get-go, and most of the music included here would not have fit into the sound of Miles' band as it approached the intense modal moods of Kind Of Blue, which was recorded in the two months following this date. That is certainly the case with "Limehouse Blues", which opened the Adderley record. All thoughts of Miles disappear with the opening rush of Wynton Kelly's introduction. Played at a whirlwind tempo, the band races through the tune before Cannonball bursts in with a note-gobbling solo. His joy is infectious and he rips through sixteenth-note runs with great abandon. Coltrane was also brilliant as fast tempi ("Giant Steps" was only 3 months away) and he kept the searching element of his sound by breaking up his runs with searing held notes. Kelly provides a fleet single-line solo, but the tempo gives him a little trouble near the end of his chorus. The horns play a quick set of exchanges with Jimmy Cobb followed by a chorus of exchanges by the horns alone. After the reprise of the theme, there is an effectively arranged coda that maintains the excitement while offering a satisfying conclusion.

Reviewer: Thomas Cunniffe

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