Miles Davis: Bye Bye Blackbird


Bye Bye Blackbird


Miles Davis Quintet


'Round About Midnight (Columbia 94750)

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Miles Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass), Philly Joe Jones (drums).

Composed by Mort Dixon and Ray Henderson


Recorded: New York, June 5, 1956


Rating: 98/100 (learn more)

Miles Davis' classic version of "Bye Bye, Blackbird" has long been considered one of the essential modern jazz recordings. However, the reasons why this particular recording became much more popular than similar recordings from Miles' discography are not so clear. One reason for "Blackbird"'s popularity was that it was recorded on his new label, Columbia, rather than on his old one, Prestige. Columbia had excellent distribution and the records were available for sale and commonly heard on the radio. And then there was the LP programming: At the start of Side 1 was the stunning title track "Round About Midnight" and at the start of Side 2 was "Blackbird", a jaunty yet sad setting of a old standard. Contrary to the myth, "Blackbird" was hardly a forgotten song: Tom Lord's "Jazz Discography" shows a steady recording history of the song up until Miles recorded it. The song was still familiar and loved by the older members of Miles' audience, and even if the song was new to you, it was easy to glean the wistful quality of the song through the Quintet's interpretation. Another key part of "Blackbird"'s popularity has to be in the solos themselves. Every solo on this track is eminently singable. Even Coltrane's runs can be sung with a little practice! For young musicians learning how to improvise, these solos were a gateway into modern jazz. And for the hipsters of the period, it was an easy way to show just how hip they were (or thought they were...) There are many wonderful little moments in this recording that make it special, but my favorite is near the end as Miles plays the final chorus. When he reaches the make my bed and light the light/ I'll be home late tonight lines, Red Garland plays the melody a third above Miles. It's a simple little gesture, maybe a little corny, but whenever I hear it, I can't help but smile.

Reviewer: Thomas Cunniffe

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