Art Farmer: I Love You

Track

I Love You

Artist

Art Farmer (trumpet)

CD

Modern Art (Blue Note 84459)

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Musicians:

Art Farmer (trumpet), Benny Golson (tenor sax), Bill Evans (piano), Addison Farmer (bass), Dave Bailey (drums).

Composed by Cole Porter

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Recorded: New York, September 1958

Albumcoverartfarmer-modernart

Rating: 95/100 (learn more)

Art Farmer was perhaps the tastiest player in modern jazz. His exquisite note choices were accentuated by his use of mutes, which seemed to make his lines stand out. In the light of the often loud and discordant sounds of free jazz and fusion, he considered himself a traditionalist. But within the framework of modern jazz, Farmer was capable of great flexibility, subtly leading his listeners down paths they might not have expected. For example, the opening chorus of Cole Porter’s “I Love You” from the album Modern Art sounds like a trip into Miles Davis country, with Art playing a standard in a mute over a two-beat rhythm. All such fears evaporate at the opening of the second chorus as Bill Evans takes the spotlight. By this time, Evans was coming into his own and we can hear much of what became his style trademarks in this solo: the light touch, the nearly-inaudible comping and the careful sculpting of each line. Most of the solo is in single lines with parallel thirds, octaves and chords used sparingly but always to great effect. Benny Golson plays a note-gobbling solo that shows his roots in Lucky Thompson, while showing what John Coltrane learned from Golson. Farner, still in the cup mute, plays a flowing melodic solo, filled with long lines and, like Evans’ solo, featuring plenty of effective sequencing. It’s a little surprising when Golson returns for another 16 bars, but it turns out to be the beginning of a long set of exchanges which start at half-choruses and work their way down to 4-bar thoughts. Because of their different but complimentary solo styles, the two hornmen were fine collaborators and they continued to work together (most notably as co-leaders of the Jazztet) until Farmer’s passing in 1999.

Reviewer: Thomas Cunniffe

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