After an opening rough guitar and drum salvo, "Awakening" is reinforced by the twin riffing of violin and electric piano for two more sections. The Orchestra seems to be playing a mile a minute. It is a juggernaut. The statement abruptly concludes and is followed by a Cobham turnaround repeating the initial segment. An aggressive rhythm is established to serve as fodder for a Jerry Goodman solo. Hammer solos next with a quite foreign-sounding turn on electric piano through a ring modulator.
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