Amazingly, this smoking version of "Bohemia After Dark" was not only a first take, but also the first time Affif, Essiet, or Watts had ever played the tricky Oscar Pettiford composition (named for the Café Bohemia, where Pettiford was once musical director). Essiet establishes the insinuating beat, while Affif plays the theme with a stabbing, percussive mindset, which also applies to his subsequent solo. Affif's phrasing exhibits glimmers of other guitarists such as Joe Pass, George Benson, Pat Martino, and Kenny Burrell, all assimilated into his bluesy, concentrated articulation, rhythmic complexity, overall creativity, and admirable lack of repetition. Essiet's solo is an ecstatic extension of the driving, layered African-influenced bass lines he employs backing Affif, especially notable on the tune's unorthodox bridge. Affif's zestful trades with Watts take on an exotic flavor, and to some extent recall the combination of guitarist Gabor Szabo and drummer Chico Hamilton. This is one of the better, and certainly one of the freshest versions of "Bohemia After Dark." Which begs the question: why hasn't Affif been given an opportunity to record since 1999?
May 20, 2009 · 0 commentsTags: bohemia after dark
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