Claire Martin: But Beautiful

Claire Martin is by far the most popular jazz singer in England. While her biography lists Betty Carter and Shirley Horn as primary influences, her voice carries the unmistakable smokiness of June Christy. Martin’s artistry extends further than Christy’s, with her soulful delivery and exquisitely-detailed melodic inventions.

“But Beautiful” is a challenging song: its primary motive is a simple rising and falling idea which repeats at several pitch levels. The motives culminate with sweeping melodies in the second and fourth eight-bar phrases. To maintain interest, the singer needs to either think of the song as two 16-bar segments, building through each one, or concentrate on the basic motive, making changes as the song progresses. Martin actually takes both approaches in this recording. In her opening chorus, she makes several variations to the motive, all quite different from one another in subtle ways. Jim Mullen’s guitar solo is in long meter and the double-time feel buoys Martin into her final half-chorus, where each statement of the motive builds on the last. However, she avoids the predictable big ending, relaxing with the rhythm as the feel goes back to straight time, offering a set of tasty variations on the penultimate phrase on a repeated tag ending.

April 02, 2009 · 0 comments


Freddie Hubbard: But Beautiful

Freddie Hubbard was among the most frequent members of the Jazz Messengers' later years. He first appeared with the band in late 1961, recorded with frontline partners Curtis Fuller and Wayne Shorter, and appeared with the group as late as 1989 for The Art of Jazz. This outstanding 1960 session with the unique lineup of Tina Brooks, McCoy Tyner and Clifford Jarvis slightly predates Hubbard's arrival on the Messenger bandstand. Among the heavy hitters on this track, Brooks is the true standout, sensitively supporting Hubbard's poignant melody statement and following it with a superb improvised solo. These are young masters at the top of their game.

March 06, 2008 · 0 comments


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