Recorded to fill out the U.S. release of a Harry Warren collection, Susannah McCorkle’s version of the chestnut “Chattanooga Choo-Choo” strips away the familiar Glenn Miller arrangement and places it in the realm of boogie woogie. Keith Ingham, who was Susannah’s husband and musical director, is the sole accompanist here, and he uses his fine sense of jazz history to integrate the two styles. After an intro that seems inspired by the Clifford Brown/Max Roach version of “Take The 'A' Train,” Ingham goes into a boogie background as Susannah glides in with a slightly adapted version of the lyric. Susannah’s interpretive gifts grew as she matured, but even at this early stage of her career, she was able to float lines above the beat. At the end of the first chorus, Ingham effortlessly segues into Meade “Lux” Lewis’s “Honky Tonk Train” and because of the boogie pattern he played earlier, there is no jolt as he changes from a pop song to the blues and back again. Susannah’s final chorus includes some of the same interpretive figures she had used earlier, but the coda is very effective with Susannah singing the “whoo-whoo” as a train whistle and Ingham continuing the boogie figure as the track fades out.
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