Edmond Hall's famous Celeste Quartet session of 1941. (Was it an inspiration? Who knows if any member of Hall's pickup group ever heard this recording?) Brun takes the first solo, and although he's the featured player for the side, he never tries to impress with flashy displays of technique. Instead, he plays a simple, soulful statement that cuts right to the core. Grappelli (who was also an excellent pianist) enjoys playing around on the celeste, but Django's solo is quite serious and studied. There's no guitar effects, just a passionate single-string solo made up of perfectly-sculpted phrases, with a surprising turn to the low register as Brun returns. If Brun had a weakness, it was his sense of rhythm. He was clearly behind Grappelli and Reinhardt when it came to swinging eighth notes. But close to the end, Django picks up on Brun's shuffle rhythm and by using it--slightly adapted--in his accompaniment, is able to bring Brun a little closer to authentic swing style.
August 28, 2009 · 0 commentsTags: celeste
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