Martial Solal: Corcovado

When Martial Solal played the Vanguard alone in 2007, he was the second pianist ever, after Fred Hersch, to be granted such a privilege. It's definitely an honor, especially for a European musician. But after more than a half century of playing and recording all over the world with an international reputation, it can't be considered undue. The press clips say that the Vanguard was packed every night, and the reviews were excellent. The record is, anyway, and on this track Solal plays a Brazilian standard he'd never recorded before, as far as I know. To him, all music is just music, so he won't really care if it's Brazilian or Norwegian; it's basically food for his brain and fingers.

He starts, as often, by getting at the theme from a side angle, with one hand, then two in unison. Next he exposes the theme with more and more rhythmic, harmonic and melodic alterations until hitting a brief stride passage followed by virtuoso scales. Here you may fear the worst, but the theme comes back and undergoes more metamorphoses, including a short coverage in the very low register that is surprisingly musical. And just when you are beginning to get used to Solal's way of dealing with a standard, suddenly it's over. Applause, laughs, speechless signs of surprise (one supposes) That's about the diversity of reaction that Solal expects from a listening audience, and one wishes that all the musicians who played the Vanguard before him had found such a rapt and respectful reception.

January 19, 2009 · 0 comments


Previous Page | Next Page