It would be interesting to know how he came to have a new version of "Just a Gigolo" in his book. This song first attained popularity in the United States back in 1931 and would become legendary as part of Louis Prima's Las Vegas act paired with "I Ain't Got Nobody." But in the hands of the Band of Renown, it starts with a piano intro, a statement of the melody in two and then four-beat, a bebop-laced vocal by novelty singer Stumpy Brown, a solo by Abe Most, an eight bar transition drenched in bop (Gozzo was a ringer in the trumpet section for this recording, and he is amazing as usual), and then a solo statement by bopper Pell. The band then takes over for a chorus, and we are reminded of the brilliance of arranger Skip Martin in this exciting and roaring transfiguration of a simple tune swinging mightily as if the band's life depended on its performance (one should also listen to Clarkson's solo; he is a highly underrated musician). The music ends with a highly dissonant chord that still seems perfect given what happened during the previous three minutes.
In the scheme of things, this is a relatively minor record, but if the minor performances are this good, many of the major recordings are stunning, and it makes perfect sense when modern big band historians now call Les Brown's ensemble one of the finest big bands of all time.
April 14, 2009 · 1 commentTags: just a gigolo
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