Kid Ory: Muskrat Ramble

Kid Ory is best known as the original proponent of the New Orleans tailgate trombone style, but he is often overlooked as one of the important composers of early jazz. "Muskrat Ramble" was his biggest hit, made famous during his tenure with Louis Armstrong.

This version, recorded almost 20 years later, has the hallmarks of the Dixieland revival style that Ory helped launch in the late 1930s: clean ensemble interaction, exposed sections for various soloists, and a more polished feel than the original recordings. Ory's trombone style had changed little; however, what he lacks in virtuosity and innovation, he compensates with a bright, exuberant tone, impeccable rhythmic sensibility and emotive growls and effects.

Although Ory never takes a solo per se, he gets many moments to shine, often shouting and growling through the trombone during breaks and belting out counterpoint underneath each melodic strain. His triumphant arpeggio after the final chorus gives him the last word, followed only by the final hit that ends the tune.

October 04, 2009 · 0 comments


Pete Fountain: Muskrat Ramble

What sort of people were spending their evenings out, back in the middle of the turbulent '60s, listening to Pete Fountain's dixieland band? Judging by this recording, they were a happy-go-lucky sort you wouldn't mind having for a next door neighbor. The Stones might be looking for "Satisfaction" back in '65, but these fans were just looking for a good time. And that war off in Southeast Asia? Who in French Quarter Inn crowd would have predicted that, just a few months later, Country Joe McDonald would borrow this same Kid Ory tune for his famous antiwar chant, which became so associated with the protest movement that some people simply called it the "Vietnam Song." No protests can be heard on this track, as Fountain tosses off his slick, likable clarinet phrases and engages in some quaint old school counterpoint. Call it an anachronism. Call it out-of-date. But you could draft a busload of Berklee students, and not find one who could pull this tune off with quite as much panache as Fountain and company. And, for the record, Fountain has one of the great clarinet sounds of the modern era.

August 25, 2009 · 0 comments


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