As it was during WR’s 1970-72 period, this band tears down the walls separating the rhythm section and the front line, with each performer assuming equal parts in a musical democracy pioneered by that incarnation of WR. Cleaver never keeps time, instead using his kit to provide waves of percussion that melds into the tapestry of the tonal instruments. Vitous himself plays with randomized vigor, oscillating between plucked and bowed bass at multiple points throughout the track, and without causing any disruption.
The spare, murky sound produced by Vitous’ group is a far cry from what his old group later became, but what it lacked in structure and groove, it more than made up in freedom, direct communication between players and unpredictability. That holds true even when Vitous recycles an old song from his ex-bandmate that wasn’t originally conceived to be used in that way.
August 13, 2009 · 0 commentsTags: nefertiti
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