April 16, 2009 · 0 commentsTags: pent-up house
"Pent-Up House" runs over 13 absorbing minutes, with the single taping device putting Osada's reverberating bass and Green's crisply aggressive drumming up front in the mix at the expense of Moran's piano. Osby's fleet opening solo is basically a heady brew of hard and post-bop, with extended runs dominating except for an occasional spiky, dissonant aside. His pace is unrelenting, his inventiveness unflagging. Unfortunately, Moran's energetic comping cannot be clearly heard, and at one point he appears to drop out entirely. The pianist's own compelling solo is much easier to discern, as Osby is now out of the picture. Moran starts out tranquilly, but is soon flying over the keys with forcefully repeated chords and swirling phraseology. Osby reenters at the peak of his powers, like Moran before him passionately reconstructing elements of Rollins's familiar tune. A quick reprise leads to a seamless nonstop segue into the next tune and track, "I Didn't Know About You." This is live jazz at its unfettered, invigorating best.
November 26, 2008 · 0 commentsTags: pent-up house
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