Because of this, things do sound quite "golden," as the title implies, and, as Jackson strikes his vibraphone keys with sympathetic pads, the sustain that he and Lewis are able to generate throughout this concert recording helps the composition and this subsequent rendition remain both fluid and luminous. Recordings of the MJQ are usually not as commercial as other competing chart entries from their day from the likes of Dave Brubeck and Cal Tjader, but this particular tune sounds like it could have competed well. It is not as challenging as usual for the group, but the simplicity allows a different side of the MJQ to shine.
June 18, 2009 · 0 commentsTags: the golden striker
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