In 1952, Annie Ross's hip vocalese narrative of a crazy chick and her outmatched shrink, set to tenorman Wardell Gray's 1949 "Twisted," was marred by cheesy organ backing. In 1959, the "hottest new group in jazz," as Down Beat
dubbed vocal trio Lambert, Hendricks & Ross, redid "Twisted" sans organ, and nailed it. Striking a blow for mental health by refusing to listen to her analyst's jive, twisted sister Annie Ross wittily punctures the pseudoscientific claptrap of psychoanalysis, which was big in 1950s America. If Freud hadn't died twenty years earlier, he would've been driven ineluctably, irretrievably mad upon hearing "Twisted." Roll over, Sigmund, and tell Alfred Adler the news: Two heads are better than one. And three heads, in the persons of Lambert, Hendricks & Ross, are best of all.
October 25, 2007 · 1 comment
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