Quintette du Hot Club de France: When Day Is Done

Django Reinhardt opens this version of “When Day Is Done” with a dramatic unaccompanied guitar cadenza. I suspect he was trying to emulate Louis Armstrong’s introduction to West End Blues and indeed, one can imagine young guitarists being bowled over by the recording. It impresses me as well, but the solo that follows is quite special for what isn’t there. As the introduction has plenty of contrast between chorded sections and single lines, the ensuing solo is entirely comprised of single line melody and embellishment. The filigrees are tasty, the bent notes are heart-rending, and the atmosphere is so engulfing that it’s hard not to imagine yourself floating in a canoe down the Seine as Django and his friends serenade you. The mood breaks as Django picks up the tempo and Grappelli enters. While the final choruses are well-played, this time the disconnect is too great from what came before and this part of the recording just sounds like more of the same. Time to go back and listen to the first half of the record again!

August 28, 2009 · 0 comments


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